Before I get to my point, I want to add a caveat here: ‘Feminism is dead’ should be understood as an observation (along the lines of Nietzsche’s ‘God is dead’) instead of a suggestion that feminism should be dead. To me, that is the furthest thing from my mind. Now, on to the post…
Perhaps I am misreading history, but if feminism that arose en masse prior to the 1980s or so was an active influence on society, it is dead now. This is largely because people are apathetic; the average person on the street doesn’t notice and doesn’t really care that equality hasn’t been reached and/or is deluded in thinking that it has. The fact is things like the Bechdel Test not only exist but are seen as shocking by people first discovering them.
For me, the ultimate goal of feminist thought (as well as all other movements of civil rights and equality) should be the ending of noting the usage of language as a tool for inequality. For this reason, I can agree with this article that racism is alive and well, as it points out that the language of Obama as a black president often implies the existence of inequality which can now be tolerated as ‘they’ (in this case, ‘blacks’) are now finally entering ‘our’ world. For the Bechdel Test, I propose that it shouldn’t be about getting x% of films produced each year which meet the test but about investigating the attitude that defeats the test’s minimal aim.
I believe this is largely because there are two basic genres of films these days: action and romantic-comedy. The first is billed as the embodiment of masculinity, even at the expense of dialogue and plot. I would argue that including women that do not talk about the (inevitably lead) male into an ‘action’ film is a wrong direction, as it aims to fill a quota so that the inequality can continue (or worse, just add more to the already poorly executed genre). A better goal for ‘action’ films is to completely leave out anything that gets in the way of the ‘action plot’ (which is the excuse for shooting, killing, and blowing things up) — including the gender of the actors. After all, does it matter if the person blowing things up is male or female? However, I think such a move would fail because I don’t think people who promote feminist goals really care much for the genre.
A similar story goes for the romantic-comedy genre, in which the story is inevitably about a protagonist (male or female) who eventually falls in love with a character of the opposite sex, who rejects the protagonist. The remainder of the film is the lead’s attempt at getting the love interest to fall in love as well, which happens in the last 5 minutes and everyone lives happily ever after (except for the antagonist who had seduced the love interest early on). Just like with the ‘action’ genre, I think the aim of ‘redeeming’ the genre is a failure to realise the goal of civil equality.
Instead of redeeming the film industry (which is an otherwise good idea), we must first attend to the apathy in society. A result of our consumer society is that people are apathetic. This is why the Bechdel Test is seen as surprising. The surprise isn’t because one doesn’t accept civil equality but rather because one thinks it’s already been achieved. And that is the exact problem: it hasn’t.


